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by Christopher Donnan
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  • Author:
    Christopher Donnan
  • ISBN:
    9991404295
  • ISBN13:
    978-9991404295
  • Genre:
  • Publisher:
    Univ of California Museum of; 1st THUS edition (June 1978)
  • Pages:
    205 pages
  • FB2 format
    1238 kb
  • ePUB format
    1506 kb
  • DJVU format
    1724 kb
  • Rating:
    4.8
  • Votes:
    769
  • Formats:
    mobi doc doc azw


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Christopher B. Donnan. Moche Art and Iconography (UCLA Latin American Studies). Christopher B. Chotuna and Chornancap: Excavating an Ancient Peruvian Legend. Ceramics of Ancient Peru.

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Subsequent authors drew inspiration from it (Steve Bourget, pp. ix-xi, Sex, Death, and Sacrifice in Moche Religion and Visual Culture ( Hardcover ) by Bourget, Steve pulished by University of Texas Press), praised it, and criticized it (Jurgen Golte, pp. 33-36, MOCHE, COSMOLOGÍA Y SOCIEDAD: UNA INTERPRETACIÓN ICONOGRÁFICA ).

Donnan, Christopher B. Mocks Art of Peru: Pre-Columbian Symbolic Communication. Political Economy and Patronage at Cerro Mayal, Peru. New Haven, CT: Yale University Press, 2001. UCLA Latin American Center: California, 1978. Rhetoric Society Quarterly 29 (1999): 7–20. CrossRefGoogle Scholar. Gaines, Robert N. De-Canonizing Ancient Rhetoric. Donnan is an archaeologist. Moche Art of Peru: Pre-Columbian Symbolic Communication. excavations of Peruvian archaeological sites. University of California Los Angeles, 1999. Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas until the late 15th and early 16th centuries, and the time period marked by Christopher Columbus' arrival in the Americas. The Museo de la Nación is one of two major museums of Peruvian history in Lima, Peru. Donnan is Professor of Anthropology at UCLA. Библиографические данные.

Unique in pre-Columbian art, Moche portraits are ceramic heads in the form of jars, mugs, and bowls Читать весь отзыв. Moche Portraits from Ancient Peru Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture. Издание: иллюстрированное. Los Angeles: Museum of Cultural History, 1978, p. 27, fig. 48. Newton, Douglas, Julie Jones, and Kate Ezra. The Pacific Islands, Africa, and the Americas: The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1987. Castillo, Luis Jaime. Personajes míticos, escenas y narraciones en la iconografía mochica. Donnan, Christopher . and Donna McClelland. Moche Fineline Painting: Its Evolution and Its Artists.

Pre-Columbian symbolic communication. Rev. ed. by Christopher B. Published 1978 by Museum of Cultural History, University of California in Los Angeles. Art, Exhibitions, Indian art, Indians of South America, Mochica Indians, Mochica art.

Moche Art of Peru: Pre-Columbian Symbolic Communication Paperback - June, 1978 by Christopher Donnan (Author) Product Dimensions: 0.8 x 9 x 10.8 inches Shipping Weight: 2 pounds Paperback: 205 pages Publisher: Univ of California Museum of; First Edition Thus edition (June 1978)

Benn
Arrived very fast, and exactly as described! Thank you!
Unsoo
IM GOING BACK TO PERU!
Ddilonyne
got my copy on time, item as advertised
Zainian
I enjoyed it.
Whilingudw
This work succeeds in its primary objective, proving that the Moche line drawings and sculptures were concerned with expressing a sacred mythology instead of with depicting the ordinary world as the ancient Indians lived it. Originally, serving as the catalog for a museum show of artifacts at UCLA in the late 1970's, it is fundamental to the modern study of Moche religion, ideology, art, history, and technology. Subsequent authors drew inspiration from it (Steve Bourget, pp. ix-xi, Sex, Death, and Sacrifice in Moche Religion and Visual Culture ( Hardcover ) by Bourget, Steve pulished by University of Texas Press), praised it, and criticized it (Jurgen Golte, pp. 33-36, MOCHE, COSMOLOGÍA Y SOCIEDAD: UNA INTERPRETACIÓN ICONOGRÁFICA ). Donnan sets forth his basic ideas of the Thematic Approach, featuring the "Presentation" and the "Burial" themes, towards illuminating the organization immanent in a welter of specific fine line drawings and sculpted representations. The Presentation theme as an act of sacrificial worship, or as a useful conceptual hook, assimilates diverse motifs and apparently distinct portraits such as those related to man to man battles and captures. In one neat section, he elucidates the significant characteristics the ancient artists used in their drawings to mark specific animals, birds, and fish (pp. 37-41). In another engrossing section, he shows how reflections of the paraphernalia of the famous Owl Woman Healer ceramic manifest today in the magical "table" of a modern shaman near Trujillo, Peru, highlighting many parallels in their drugs, effigies, and familiars (pp. 116-43). One elephant in the room that has grown since the initial publication of this book is the ultimate fate of the huge database of pictures and analytic identifications that lie behind this book and all of Donnan's later ones: will the interested public someday gain access to it? I hope so.
Gripes: no index.