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by Shaun Kimber
Download Henry: Portrait of a Serial Killer (Controversies) fb2
Humanities
  • Author:
    Shaun Kimber
  • ISBN:
    0230297986
  • ISBN13:
    978-0230297982
  • Genre:
  • Publisher:
    Palgrave; 2011 edition (September 15, 2011)
  • Pages:
    168 pages
  • Subcategory:
    Humanities
  • Language:
  • FB2 format
    1613 kb
  • ePUB format
    1821 kb
  • DJVU format
    1146 kb
  • Rating:
    4.5
  • Votes:
    262
  • Formats:
    mbr lit azw rtf


Henry: Portrait of a Serial Killer is a 1986 American psychological horror crime film directed and co-written by John McNaughton about the random crime spree of a serial killer who seemingly operates with impunity.

Henry: Portrait of a Serial Killer is a 1986 American psychological horror crime film directed and co-written by John McNaughton about the random crime spree of a serial killer who seemingly operates with impunity. The characters of Henry and Otis are loosely based on real life serial killers Henry Lee Lucas and Ottis Toole.

From the Back Cover Shaun Kimber's examination of the controversies surrounding Henry considers the history and implications.

Henry: Portrait of a Serial Killer (1986) is precisely that: a cold-eyed character study based on the crimes of Henry Lee Lucas, who was convicted of eleven murders in the 1980s. Director John McNaughton presents an unflinching portrayal of the semi-fictional Henry's crimes.

Aug 13, 2019 Realini rated it really liked it.

Shaun Kimber's examination of the controversies surrounding Henry considers the history and implications of censors' decisions about the film on both sides of the Atlantic, revealing a wide range of cultural meanings and social fears relating to film violence. Aug 13, 2019 Realini rated it really liked it. Henry: Portrait of a Serial Killer, written by Richard Fire and John McNaughton, directed by the latter . out of 10.

First book length analysis of Henry: Portrait of a Serial Killer and its controversy Wide-ranging exploration of the film's controversy, censorship and classification in the US and UK The role of production, circulation, exhibition, marketing and advertising in the film's controversy.

First book length analysis of Henry: Portrait of a Serial Killer and its controversy Wide-ranging exploration of the film's controversy, censorship and classification in the US and UK The role of production, circulation, exhibition, marketing and advertising in the film's controversy The examination of the views of audiences, critics and academics at the time and in the years since Detailed. textual analysis of the most controversial, violent and censored scenes in the film.

Shaun Kimber's examination of the controversies surrounding the film considers the history and implications of censors' decisions on both sides of the Atlantic, revealing a wide range of social fears relating to film violence. ISBN13: 9780230297982. Release Date: September 2011.

Loosely based on serial killer Henry Lee Lucas, the film follows Henry and his roommate Otis who . The people they kill are strangers and in one particularly gruesome attack, kill all three members of a family during a home invasion.

Loosely based on serial killer Henry Lee Lucas, the film follows Henry and his roommate Otis who Henry introduces to murdering randomly selected people. The killing spree depicted in the film starts after Otis' sister Becky comes to stay with them.

Shaun Kimber's examination of the controversies surrounding the film . This book's format is not supported currently, please contact the publisher. Henry: Portrait of a Serial Killer by Shaun Kimber and Publisher Red Globe Press. You are leaving VitalSource and being redirected to Henry: Portrait of a Serial Killer. eTextbook Return Policy. Reflowable eTextbooks do not maintain the layout of a traditional bound book.

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Henry: Portrait of a Serial Killer (1985) is precisely that: a cold-eyed character study based on the crimes of Henry Lee Lucas, who was convicted of eleven murders in the 1980s. Director John McNaughton presents an unflinching portrayal of the semi-fictional Henry's crimes, which include serial murder and the slaughter of a family captured and replayed on videotape by Henry and his accomplice Otis. The film proved immensely controversial, notably in the UK, where it confounded the British Board of Film Classification, which at one point during the film's tangled censorship history went so far as to re-edit substantially a crucial scene, in addition to cutting others.  Shaun Kimber's examination of the controversies surrounding Henry considers the history and implications of censors' decisions about the film on both sides of the Atlantic, revealing a wide range of cultural meanings and social fears relating to film violence. Taking full account of the views of audiences, critics and academics, both at the time the film was released and in the years since, this illuminating study also looks at the changing political, social and economic contexts within which the film was produced and has subsequently been circulated and consumed. It also considers McNaughton's usage of the codes associated with documentary and realism, 'exploitation' approaches to publicity and marketing, and the polarisation of responses to the movie. Today Henry enjoys the reputation and status of a key film within the horror genre, the history of censorship, and the study of film violence. Kimber's revealing account of the film's production and its fortunes in the marketplace provides a fascinating case study of film censorship in action, and offers a sustained and wide ranging analysis of what remains one of the most disturbing films ever made.