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by Lawrence H. Suid,David Culbert
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Humanities
  • Author:
    Lawrence H. Suid,David Culbert
  • ISBN:
    0313208611
  • ISBN13:
    978-0313208614
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  • Publisher:
    Greenwood (May 24, 1991)
  • Pages:
    544 pages
  • Subcategory:
    Humanities
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David Culbert, Lawrence H. Suid.

David Culbert, Lawrence H. Volume IV presents oral history interviews and papers from the private archives of filmmakers, writers, and representatives of the military, together with several case studies of military cooperation with Hollywood in the making of war films. It also includes Defense Department memoranda, relevant documents from presidential and media libraries, and excerpts from congressional hearings.

Start by marking Film and Propaganda in America: A. .Film and Propaganda in America: A Documentary History/Volume IV/1945 and After (Documentary Reference Collections).

Start by marking Film and Propaganda in America: A Documentary History, Volume IV: 1945 and After as Want to Read: Want to Read savin. ant to Read. Focusing on official and quasi-official productions as well as the uneasy collaboration between Hollywood studios and the armed forces during the postwar period, it brings together an unequalled collection of archival materials, many of which were released solely for the publication of the present work. 0313208611 (ISBN13: 9780313208614).

Home Browse Books Book details, Film and Propaganda in.

Home Browse Books Book details, Film and Propaganda in America: A Documentary. Officially, after 1945 America continued to pretend that propaganda was practiced only by other arly the Soviet Union. The Office of War Information, America's wartime propaganda agency, was hastily disbanded, its information function turned over to a cultural affairs division within the Department of State. Other documents in this volume and the microfiche supplement (Volume V) cover important media-related topics in the post-1945 world: the Cold War, communism inside the United States.

DAVID CULBERT is Professor of History at Louisiana State University. He is the author of News for Everyman: Radio and Foreign Affairs in Thirties America (Greenwood Press, 1976), Mission to Moscow, and some forty articles relating to film, radio, and television as instruments of propaganda. Series: FILM AND PROPAGANDA IN AMERICA.

Since early in the twentieth century, it has been a common if not always acceptable practice for governments to exploit film as a means of manipulating public opinion and influencing the behavior of citizens, especially during periods of national emergency. This volume is the newest in a five-part series that documents and examines the use of the medium for propaganda purposes by the .

Propaganda, including film propaganda, became an indispensable part of the equipment of the modern state at wa. DAVID CULBERT is Professor of History at Louisiana State University

Propaganda, including film propaganda, became an indispensable part of the equipment of the modern state at wa. DAVID CULBERT is Professor of History at Louisiana State University. Библиографические данные.

Film and Propaganda in America: A Documentary History. Vol. 4: 1945 and After. March 1993 · The Journal of American History. Modifications and multiple roles of graphene film in SIS structural solar cells. There have been few studies of the concept of double jeopardy as it pertains to the effects of gender and aging on occupational outcomes. The results confirm significant negative effects of being female and being older on the number of film roles received by actors and.

Find nearly any book by David Culbert. Get the best deal by comparing prices from over 100,000 booksellers. Propaganda and Mass Persuasion: A Historical Encyclopedia, 1500 to the Present. by Nicholas J. Cull, David Culbert, David Welch. ISBN 9781576078204 (978-1-57607-820-4) Hardcover, ABC-CLIO, 2003.

New York : Oxford University Press. Includes bibliographical references (p. -375) and index. Books for People with Print Disabilities.

Since early in the twentieth century, it has been a common if not always acceptable practice for governments to exploit film as a means of manipulating public opinion and influencing the behavior of citizens, especially during periods of national emergency. This volume is the newest in a five-part series that documents and examines the use of the medium for propaganda purposes by the U.S. government. Focusing on official and quasi-official productions as well as the uneasy collaboration between Hollywood studios and the armed forces during the postwar period, it brings together an unequalled collection of archival materials, many of which were released solely for the publication of the present work.

Volume IV presents oral history interviews and papers from the private archives of filmmakers, writers, and representatives of the military, together with several case studies of military cooperation with Hollywood in the making of war films. It also includes Defense Department memoranda, relevant documents from presidential and media libraries, and excerpts from congressional hearings. These materials provide an insider's view of propaganda efforts connected with the Cold War, the anti-Communist crusade, the Korean War, and Vietnam and offer new information on topics such as film censorship, television violence, and propaganda films about the atomic bomb. Materials are given chronologically, covering the period 1945-1980. Citations at the head of each document list the name of the author and recipient, the date sent, and the collection from which the material is taken. Documents are indexed by film title, name, and subject. Designed as a source of readings as well as a research tool, this volume will be of particular relevance for the study of filmmaking, propaganda, the Cold War, and U.S. information policy in the postwar period.