- Author:Jacques Thuillier
- Publisher:Réunion des Musées Nationaux; HORS COLLECTION edition (August 31, 2000)
- FB2 format1703 kb
- ePUB format1555 kb
- DJVU format1882 kb
- Formats:lrf docx lit mobi
Sébastien Bourdon 1616-1671 : catalogue critique et chronologique de l'oeuvre complet, Jacques Thuillier, p. 382, ca. r. 268. Anneke Vrijdag, 'Paaien en promoveren’, De Boekenwereld 28 (2011), nr. 2, pp. 121-123
Sébastien Bourdon 1616-1671 : catalogue critique et chronologique de l'oeuvre complet, Jacques Thuillier, p. 121-123.
Sébastien Bourdon 1616-1671 : catalogue critique et chronologique de l'oeuvre complet, Jacques Thuillier, p.
com's price levels for this artist are based on 133 auction results. Especially: painting, print-multiple, drawing-watercolor. Along with "Sébastien BOURDON", our clients also looked up the following: Sébastien BOURDON (Attrib.
Sébastien Bourdon (2 February 1616 – 8 May 1671) was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the cathedral of Notre Dame. Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris
Sébastien Bourdon, 1616-1671 by Jacques Thuillier, August 31, 2000, Réunion des musées nationaux . There's no description for this book yet.
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Thuillier, Sébastien Bourdon, 1616-1671: Catalogue critique et chronologique de l'œuvre complet, Paris, 2000, pp. 447, 449, no. 338. . Wistar, La Salle University Art Museum: Guide to the Collection, Philadelphia, 2002, p. 37, illustrated. Bourdon does not seem to have encountered Poussin’s art in Rome, and he remained largely insensible to its influence until the 1640s; but Poussin’s brief visit to Paris between 1640-42, had a profound impact on the younger artist, who upon seeing the master’s works, turned increasingly to landscapes and monumental religious compositions with rigorously defined planes, Poussinesque figural.
Overlooked by Jacques Thuillier, Sebastien Bourdon 1616-1671: Catalogue Critique et Chronologique de L'Oeuvre Complet, Paris, 2000, despite the provision of photographs by the museum, (also omitted from rejected works). The R. W. A. loaned K1090 on a long-term basis to Bristol City Museum and Art Gallery before its acquisition.