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This book, first published in 1985, explores the consciousness and the experience of Shakespeare’s audience. First describing the stage’s physical impact, Ralph Berry then goes on to explore the social or tribal consciousness of the audience in certain plays
This book, first published in 1985, explores the consciousness and the experience of Shakespeare’s audience. First describing the stage’s physical impact, Ralph Berry then goes on to explore the social or tribal consciousness of the audience in certain plays. The title finishes by examining the masque – the salient form of the Jacobean theatre. This title will be of interest to students of literature and theatre studies.
Select Format: Hardcover. ISBN13: 9780312714239.
Shakespeare, William, 1564-1616 - Criticism and interpretation. Books for People with Print Disabilities. Trent University Library Donation. inlibrary; printdisabled; trent university;. Kahle/Austin Foundation. Internet Archive Books. Uploaded by station10. cebu on June 21, 2019. SIMILAR ITEMS (based on metadata). Terms of Service (last updated 12/31/2014).
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Ralph Berry, Shakespeare and the Awareness of the Audience (London: Macmillan, 1985), 10. rossRefGoogle . rossRefGoogle Scholar. For a discussion of the association of women with horses in Coriolanus and in 1 Henry IV see Michele Willems, ’Women and Horses and Power and War : Worship of Mars from 1 Henry IV to Coriolanus, in French Essays on Shakespeare and His Contemporaries: What Would France with Us? ed. Jean-Marie Maguin and Michele Willems (Newark: University of Delaware Press, 1995), 189–202, esp.
Shakespeare and the Awareness of the Audience. The Privileged Playgoers of Shakespeare's London, 1576-1642. London: Macmillan, 1984. Bridges, Robert Seymour, 1844-1930. The Influence of the Audience on Shakespeare's Drama. -. New York: Haskell House, 1966. Princeton: Princeton University Press, 1981. Dawson, Anthony B, and Paul Yachnin. The Culture of Playgoing in Shakespeare's England: A Collaborative Debate. Cambridge; New York: Cambridge University Press, 2001. Dessen, Alan C. Elizabethan Drama and the Viewer's Eye.
Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case.