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by Donald E. Hardy
Download Narrating Knowledge in Flannery O'Connor's Fiction fb2
History & Criticism
  • Author:
    Donald E. Hardy
  • ISBN:
    1570034753
  • ISBN13:
    978-1570034756
  • Genre:
  • Publisher:
    University of South Carolina Press; First Edition edition (January 1, 2003)
  • Pages:
    208 pages
  • Subcategory:
    History & Criticism
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    4.8
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O'Connor, Flannery Knowledge, Theory of, in literature Narration. Similar books and articles

O'Connor, Flannery Knowledge, Theory of, in literature Narration. No categories specified (categorize this paper). Similar books and articles. Flannery: A Life of Flannery O’Connor, by Brad Gooch; Flannery O’Connor and Edward Lewis Wallant: Two of a Kind, by John V. McDermott; The Abbess of Andalusia: Flannery O’Connor’s Spiritual Journey, by Lorraine V. Murray. Ritual and Violence in Flannery O'Connor.

Surveying O'Connor's fiction, early as well as late, Hardy concludes that the writer's differentiation between grades of knowledge, along with the intimations she offered of what lies behind knowledge-of the ineffable behind th. .

Surveying O'Connor's fiction, early as well as late, Hardy concludes that the writer's differentiation between grades of knowledge, along with the intimations she offered of what lies behind knowledge-of the ineffable behind the rational-finds only partial expression in the content of her narratives and in her narrative summings-up. These include dependent clauses, for rendering presuppositions explicit; negations, for blocking suppositions; and participials describing what is seen, for bringing out implications

The Flannery O'Connor Award for Short Fiction is an annual prize awarded by the University of Georgia Press named in honor of the American short story writer and novelist Flannery O'Connor.

The Flannery O'Connor Award for Short Fiction is an annual prize awarded by the University of Georgia Press named in honor of the American short story writer and novelist Flannery O'Connor.

Clausal presupposition in Flannery O'Connor's fiction is examined and shown to contribute stylistically to O'Connor's explorations of the fallibility of human knowledge.

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The Body in Flannery O'Connor's Fiction.

A linguistic approach to the novels and short stories of Flannery O'Connor; In Narrating Knowledge in Flannery O'Connor's Fiction, Donald E. Hardy examines themes in Flannery O'Connor's fiction concerning the limitations of human knowledge. He argues that attending to O'Connor's stylistic strategies allows the best access to her views about knowledge in all its manifestations - spiritual, rational, and emotional - whether the knowledge is that of the narrator, the narratee, or the characters of her narratives. It also, he maintains, allows readers to appreciate the mysteries she sought to underscore. Surveying O'Connor's fiction, early as well as late, Hardy concludes that the writer's differentiation between grades of knowledge, along with the intimations she offered of what lies behind knowledge - of the ineffable behind the rational - finds only partial expression in the content of her narratives and in her narrative summings-up. For a thorough understanding it is necessary to turn to her employment of certain linguistic devices open to analysis. These include dependent clauses, for rendering presuppositions explicit; negations, for blocking suppositions; and participials descri