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by Paul Fleming,Peter Szondi
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History & Criticism
  • Author:
    Paul Fleming,Peter Szondi
  • ISBN:
    0804743959
  • ISBN13:
    978-0804743952
  • Genre:
  • Publisher:
    Stanford University Press; 1 edition (July 23, 2002)
  • Pages:
    128 pages
  • Subcategory:
    History & Criticism
  • Language:
  • FB2 format
    1509 kb
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    1796 kb
  • DJVU format
    1178 kb
  • Rating:
    4.3
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Peter Szondi (Author), Paul Fleming (Translator). Peter Szondi´s pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and the poetics of tragedy espoused by Aristotle

Peter Szondi (Author), Paul Fleming (Translator). ISBN-13: 978-0804743952. Peter Szondi´s pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and the poetics of tragedy espoused by Aristotle.

An Essay on the Tragic (Meridian: Crossing Aesthetics)

0HPHQ/?tag prabook0b-20. Exemplarity and Mediocrity: The Art of the Average from Bourgeois Tragedy to Realism. An Essay on the Tragic (Meridian: Crossing Aesthetics). Peter Szondis pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and the poetics of tragedy espoused by Aristotle.

Meridian: Crossing Aesthetics). by. Peter Szondi, Paul Fleming (Translation). Peter Szondis pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and the poetics of tragedy espoused by Aristotle

Meridian: Crossing Aesthetics).

His translation of Peter Szondi’s Essay on the Tragic appeared in 2002 and of Hans Blumenberg’s Care Crosses the River in 2010. He serves on the boards of Cornell’s Signale book series, diacritics, and New German Critique. Office Hours T 1-2pm & by appointment, 192 GSH. He is currently co-translating Blumenberg’s The Saint Matthew Passion for Cornell Press as well as completing a book-length project that examines the use of the anecdote in and as theory with respect to questions of exemplarity, evidence, history, and rhetoric. Office Hours T 1-2pm & by appointment, 192 GS. .

Peter Szondis pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and . Peter Szondi (1929-1971) was Professor of Comparative Literature at the Free University in Berlin

Peter Szondis pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and the poetics of tragedy espoused by Aristotle. Peter Szondi (1929-1971) was Professor of Comparative Literature at the Free University in Berlin. He is the author of groundbreaking works on the theory of drama, on literary hermeneutics, on Hölderlin, and on Celan.

Showing 6 of 6 results that match your query. Sold & Shipped by Palatial Products. Product - ESSAY ON THE TRAGIC. Celan Studies (Meridian, Crossing Aesthetics). Sold & Shipped by thebookpros. Already a ShippingPass member?

Peter Szondi´s pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and the poetics of tragedy espoused by Aristotle. The first of the book´s.

Peter Szondi´s pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and the poetics of tragedy espoused by Aristotle.

Peter Szondis pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and the poetics of tragedy espoused by Aristotle.

I read this book for a graduate seminar on the philosophy of art. Kant is one of the major figures in expression theory. What we understand as aesthetics changed only recently. Kant astutely argues that one can't argue towards an aesthetic judgment like in logic, aesthetics is subjective but he wants humans to be able to say; "this painting is beautiful, and not just to m. Important point: is there such a thing as subjective universality? This is his dilemma, although he thinks there is if you can use the principle of "disinterest.

Philosophy; Tragic; Schelling; Hegel; Goethe; Solger. No, thanks! Close the box. Report "Szondi, Peter - An Essay on the Tragic". Please fill this form, we will try to respond as soon as possible.

Peter Szondis pathbreaking work is a succinct and elegant argument for distinguishing between a philosophy of the tragic and the poetics of tragedy espoused by Aristotle. The first of the books two parts consists of a series of commentaries on philosophical and aesthetic texts from twelve thinkers and poets between 1795 and 1915: Schelling, Hölderlin, Hegel, Solger, Goethe, Schopenhauer, Vischer, Kierkegaard, Hebbel, Nietzsche, Simmel, and Scheler. The various definitions of tragedy are read not so much in terms of their specific philosophies, but rather in the way their views assist in analyzing tragedies with an aim to establish a general concept of the tragic. The second part presents exemplary analyses of eight tragedies: Sophocles'Oedipus Rex, Calderons Life Is a Dream, Shakespeares Othello, Gryphius Leo Armenius, Racines Phaedra, Schillers Demetrius, Kleist's The Schroffenstein Family and Büchner's Danton's Death. The readings neither presuppose a concept of the tragic determined by context (as in Hegel's idea of the conflict between two orders of right), nor do they focus exclusively on the texts explicit contents. Instead, they elaborate the dialectical or aporetic structures at the heart of the tragic. The works analyzed represent the four great epochs of tragic poetry: the age of Greek tragedy; the Baroque era in Spain, England, and Germany; French Classicism; and the age of Goethe.