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by Anne Day Dewey
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History & Criticism
  • Author:
    Anne Day Dewey
  • ISBN:
    0804756473
  • ISBN13:
    978-0804756471
  • Genre:
  • Publisher:
    Stanford University Press (August 24, 2007)
  • Pages:
    304 pages
  • Subcategory:
    History & Criticism
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Anne Day Dewey teaches English at Saint Louis University's Madrid Campus. Beyond Maximus is the most perceptive and informative analysis to date of the poets conventionally grouped under the label "Black Mountain

Anne Day Dewey teaches English at Saint Louis University's Madrid Campus. Beyond Maximus is the most perceptive and informative analysis to date of the poets conventionally grouped under the label "Black Mountain. Virtually every page of the book opens up fresh and exciting ways of looking both at the works of these poets as individuals and at the relationships among the poets. We have here a book that makes a vitally important contribution to the critical study of twentieth-century American poetry. Burton Hatlen, University of Maine.

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Dewey, Anne Day. 2007. Dawson, Fielding The Black Mountain Book. Croton Press, Lt. NY 1970 Library of Congress Catalog Number: 70-135203. Stanford, Calif: Stanford University Press. Baldick, Chris (2008). The Black Mountain poets: the emergence of an American school of poetics, June 26–28, 1987. The Arts at Black Mountain College. Black Mountain College: Experiment in Art. MIT Press, 2003.

Beyond Maximus: The Construction of Public Voice in Black Mountain Poetry.

See Anne Day Dewey, Beyond Maximus: The Construction of Public Voice in Black Mountain Poetry (Stanford, CA: Stanford University Press, 2007), 128–31. 4. Edmund Spenser, The Faerie Queene, ed. Thomas P. Roche, Jr. with C. Patrick O’Donnell, Jr. (New Haven, CT: Yale University Press, 1981), ., . Google Scholar. William Shakespeare, Macbeth, in The Riverside Shakespeare, ed. G. Blakemore Evans with J. J. M. Tobin (Boston: Houghton Mifflin, 1997), .

Dewey uses the poets' correspondence and other archival materials to illuminate their mutual influence and the crucial significance of "field poetics" to their careers. While previous criticism has focused on the poetics of the force field as a model of nature, Dewey understands the force field as a model of social force that all five poets articulate and incorporate into poetry in ways that compete with artistic craft. Their different conceptions of social force explain their divergent careers

Beyond Maximus: The Construction of Public Voice in Black Mountain Poetry. Poetic Authority and Public Voice in the Activist Sixties: The Duncan-Levertov Debate" In Robert Duncan & Denise Levertov: The Poetry of Politics, The Politics of Poetry. Stanford University Press, 2007. Projecting Amy Lowell: Olsonian Poetics of the Body in Rosmarie Waldrop’s A Form, of Taking, It All. Jacket 2. December, 2012. Eds. Albert Gelpi and Robert Bertholf. Stanford: Stanford University Press, 2005. The Art of the Octopus": The Maturation of Denise Levertov's Political Vision Renascence: Essays on Values in Literature. 50. 1 and 2 (Fall 1997/Winter 1998): 65 - 81.

Dewey, Anne Day, Beyond Maximus: The Construction of Public Voice in Black Mountain Poetry (Stanford .

Dewey, Anne Day, Beyond Maximus: The Construction of Public Voice in Black Mountain Poetry (Stanford: Stanford University Press, 2007). Duberman, Martin, Black Mountain: An Exploration in Community (Evanston: Northwestern University Press, 2009). Foster, Edward Halsey, Understanding the Black Mountain Poets (Columbia: University of South Carolina Press, 1995). Fredman, Stephen, The Grounding of American Poetry: Charles Olson and the Emersonian Tradition (New York: Oxford University Press, 1993). Harris, Mary Emma, The Arts at Black Mountain College (Cambridge, MA: MIT Press, 2002).

Contents may have variations from the printed book or be incomplete or contain other coding. Library of Congress Subject Headings for this publication: American poetry - North Carolina - Black Mountain - History and criticism.

by Anne Day Dewey · data of the book Beyond Maximus: The Construction. details (Spain - España). ISBN: 978-0-8047-5647-1. ISBN-10: 0-8047-5647-3.

Beyond Maximus: The Construction of Public Voice in Black Mountain Poetry is the only study of Black Mountain poets (Charles Olson, Robert Creeley, Robert Duncan, Denise Levertov, and Ed Dorn) to explain their association from the 1950s to their break-up after the Vietnam War. Dewey uses the poets' correspondence and other archival materials to illuminate their mutual influence and the crucial significance of "field poetics" to their careers. While previous criticism has focused on the poetics of the force field as a model of nature, Dewey understands the force field as a model of social force that all five poets articulate and incorporate into poetry in ways that compete with artistic craft. Their different conceptions of social force explain their divergent careers. The development of "field poetics" also sheds light on these poets' attempts to create an alliance between experimental poetics and public voice, a difficult agenda that speaks to Black Mountain poetry's crucial contribution to the artistic and political struggles of New American poetry.