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by Jo Gill
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History & Criticism
  • Author:
    Jo Gill
  • ISBN:
    0748623051
  • ISBN13:
    978-0748623051
  • Genre:
  • Publisher:
    Edinburgh University Press; 1 edition (September 12, 2007)
  • Pages:
    224 pages
  • Subcategory:
    History & Criticism
  • Language:
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    1760 kb
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    1762 kb
  • Rating:
    4.7
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    341
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The book is alert, throughout, to the diversity of women's poetry.

This guide examines the production and reception of poetry by a range of women writers - predominantly although not exclusively writing in English - from Sappho through Anne Bradstreet and Emily Bronte to Sylvia Plath, Eavan Boland and Susan Howe. Women's Poetry offers a thoroughgoing study of key texts, poets and issues, analysing commonalities and differences across a diverse range of writers, periods, and forms. The book is alert, throughout, to the diversity of women's poetry.

Start by marking Women's Poetry. Edinburgh Critical Guides to Literature. This book is suitable for students of literature; women's literature; women's poetry; and poetry. as Want to Read: Want to Read savin. ant to Read. This guide examines the production and reception of poetry by a range of women writers from Sappho through Anne Bradstreet and Emily Bronte to Sylvia Plath, Eavan Boland and Susan Howe. Women's Poetry offers a thoroughgoing thematic study of key texts, poets and issues, analysin This.

Women's Poetry (Edinburgh. has been added to your Cart. Series: Edinburgh Critical Guides to Literature.

Edinburgh Critical Guides to Literature. Published September 2007. Jo Gill is Lecturer in Twentieth-Century Literature at The University of Exeter. Women's Poetry offers a thoroughgoing thematic study of key texts, poets and issues, analysing commonalities and differences across diverse writers, periods, and forms. Author of Anne Sexton: Confessional Poetry and Contemporary Poetics (forthcoming, University of Florida Press).

Jo Gill, Martin Halliwell, Andy Mousley. This guide examines the production and reception of poetry by a range of women writers - predominantly although not exclusively writing in English - from Sappho through Anne Bradstreet and Emily Bronte to Sylvia Plath, Eavan Boland and Susan Howe.

Women's Poetry offers a thoroughgoing thematic study of key texts, poets and issues .

Women's Poetry offers a thoroughgoing thematic study of key texts, poets and issues, analysing commonalities and differences across diverse writers, periods, and forms. Martin Halliwell and Andy Mousley.

Series: Edinburgh Critical Guides to Literature. The book is alert, throughout, to the diversity of women's poetry

Series: Edinburgh Critical Guides to Literature. Published by: Edinburgh University Press. Close readings of selected texts are combined with a discussion of key theories and critical practices, and students are encouraged to think about women's poetry in the light of debates about race, class, ethnicity, sexuality, and regional and national identity. The book opens with a chronology followed by a comprehensive Introduction which outlines various approaches to reading women's poetry. Seven chapters follow, and a Conclusion and section of useful resources close the book.

Contemporary Caribbean Women’s Poetry: Making Style. Author(s): Stephen Fredman Series: Concise Companions to Literature and Culture Publisher: Wiley-Blackwell, Year: 2005 (1MB). A Concise Companion to American Fiction 1900 – 1950.

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This guide examines the production and reception of poetry by a range of women writers--predominantly although not exclusively writing in English--from Sappho through Anne Bradstreet and Emily Bronte to Sylvia Plath, Eavan Boland and Susan Howe.Women's Poetry offers a thoroughgoing thematic study of key texts, poets and issues, analysing commonalities and differences across diverse writers, periods, and forms. The book is alert, throughout, to the diversity of women's poetry. Close readings of selected texts are combined with a discussion of key theories and critical practices, and students are encouraged to think about women's poetry in the light of debates about race, class, ethnicity, sexuality, and regional and national identity. The book opens with a chronology followed by a comprehensive Introduction which outlines various approaches to reading women's poetry. Seven chapters follow, and a Conclusion and section of useful resources close the book.