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by Fred Botting
Download Gothic Romanced: Consumption, Gender and Technology in Contemporary Fictions fb2
History & Criticism
  • Author:
    Fred Botting
  • ISBN:
    0415450896
  • ISBN13:
    978-0415450898
  • Genre:
  • Publisher:
    Routledge; 1 edition (August 20, 2008)
  • Pages:
    232 pages
  • Subcategory:
    History & Criticism
  • Language:
  • FB2 format
    1851 kb
  • ePUB format
    1798 kb
  • DJVU format
    1851 kb
  • Rating:
    4.6
  • Votes:
    480
  • Formats:
    docx lrf lit lrf


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Botting considers Romance and the Gothic from Mary Shelley, Anne Rice and Alasdair Gray through to Alien and Star Trek. He manages a fluid and extensive exploration of generic boundaries, including gothic fiction, romantic poetry, literary pastiches, popular horror fiction, cyberpunk and science fiction. He has written extensively on Gothic fiction and Cultural Theory and his books include Gothic (Routledge 1996), Sex, Machines and Navels (Manchester University Press 1999) and, with Scott Wilson, Bataille (Palgrave, 2001) and The Tarantinian Ethics (Sage, 2001).

Botting considers Romance and the Gothic from Mary Shelley, Anne Rice and Alasdair Gray through to Alien and Star . Yazar hakkında (2008).

Botting considers Romance and the Gothic from Mary Shelley, Anne Rice and .

He has written extensively on Gothic fiction and Cultural Theory and his books include Gothic (Routledge 1996), Sex, Machines and Navels (Manchester University Press 1999) and, with Scott Wilson, Bataille (Palgrave, 2001) and The Tarantinian Ethics (Sage, 2001).

Gothic Romanced traces the history of gothic and romantic writings from the eighteenth and nineteenth . Botting considers Romance and the Gothic from Mary Shelley, Anne Rice and Alasdair Gray through to Alien and Star Trek.

Gothic Romanced traces the history of gothic and romantic writings from the eighteenth and nineteenth centuries to the present day. It examines the ways in which these genres were aligned with the historical process of modernity – with the Gothic representing the negative aspects of vice and barbarism that accompanied the changing parameters of civilisation, while Romance clung on to traditional values, manners and feelings. It examines the ways in which these genres were aligned with the historical process of modernity ? with the Gothic representing the negative aspects of vice and barbarism that accompanied the changing parameters of civilisation, while Romance clung on to traditional values, manners and feelings.

1. Gothic Romanced: Consumption, Gender and Technology in Contemporary Fictions

The book demonstrates how these genres have evolved together alongside cultural shifts and postmodern theories, blurring the binary between the sacred and the profane. 1. Gothic Romanced: Consumption, Gender and Technology in Contemporary Fictions. Fred Botting (Kingston University, UK). Published by Routledge (2008). ISBN 10: 041545090X ISBN 13: 9780415450904.

In lieu of an abstract, here is a brief excerpt of the content: Romancing the Gothic might readily seem a tautological endeavor, for Gothic fiction .

In lieu of an abstract, here is a brief excerpt of the content: Romancing the Gothic might readily seem a tautological endeavor, for Gothic fiction wa. .For questions or feedback, please reach us at support at scilit.

Gothic Romanced: Consumption, Gender and Technology in Contemporary Fictions by Fred Botting. This chapter explores the connections between dystopian science fiction and gothic fiction. This perspective, the chapter argues, was perhaps more possible from the vantage point of 1973 than it would have been for earlier critics: the.

The dark, destructive and monstrous elements of gothic fiction have traditionally been seen in opposition to the rose-tinted idealism of Romanticism. In this ground-breaking study, Fred Botting re-evaluates the relationship between the two genres in order to plot the shifting alignments of popular and literary fictions with cultural theories, consumption and representations of science.

Gothic Romanced traces the history of gothic and romantic writings from the eighteenth and nineteenth centuries to the present day. It examines the ways in which these genres were aligned with the historical process of modernity – with the Gothic representing the negative aspects of vice and barbarism that accompanied the changing parameters of civilisation, while Romance clung on to traditional values, manners and feelings. The book demonstrates how these genres have evolved together alongside cultural shifts and postmodern theories, blurring the binary between the sacred and the profane.

Botting considers Romance and the Gothic from Mary Shelley, Anne Rice and Alasdair Gray through to Alien and Star Trek. He manages a fluid and extensive exploration of generic boundaries, including gothic fiction, romantic poetry, literary pastiches, popular horror fiction, cyberpunk and science fiction.