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by Philip Armstrong
Download Shakespeare's Visual Regime: Tragedy, Psychoanalysis and the Gaze fb2
History & Criticism
  • Author:
    Philip Armstrong
  • ISBN:
    0333779355
  • ISBN13:
    978-0333779354
  • Genre:
  • Publisher:
    Palgrave Macmillan; 2000 edition (November 8, 2000)
  • Pages:
    264 pages
  • Subcategory:
    History & Criticism
  • Language:
  • FB2 format
    1538 kb
  • ePUB format
    1843 kb
  • DJVU format
    1554 kb
  • Rating:
    4.3
  • Votes:
    994
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Shakespeare's Visual Regime examines the tragedies, histories, and Roman plays for a. Show all. Table of contents (8 chapters)

Shakespeare's Visual Regime examines the tragedies, histories, and Roman plays for a. Table of contents (8 chapters). Pages 1-5. Armstrong, Philip.

PHILIP ARMSTRONG teaches English and Cultural Studies at the University of Canterbury, Christ Church, New Zealand

PHILIP ARMSTRONG teaches English and Cultural Studies at the University of Canterbury, Christ Church, New Zealand.

Find many great new & used options and get the best deals for Shakespeare's Visual Regime: Tragedy, Psychoanalysis and . Author:Armstrong, Philip. Book Binding:Hardback. We appreciate the impact a good book can have

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Shakespeare's Visual Regime examines the tragedies, histories, and Roman plays for an emergent early modern .

Shakespeare's Visual Regime examines the tragedies, histories, and Roman plays for an emergent early modern spectatorial subject, thereby locating Shakespearean theatre within those discourses most crucial to the contemporary exposition and disruption of regimes of vision: perspective painting, cartography, optics, geometry, Puritan anti-theatrical polemic, and the occult.

Shakespeare's Visual Regime. Tragedy, Psychoanalysis and the Gaze. Published February 3, 2001 by Palgrave Macmillan. The scene: a town in Norfolk, late sixteenth century.

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But rather than merely putting Shakespeare on the couch, Philip Armstrong focuses on the complex and fascinatingly fruitful mutual relationship between Shakespeare's texts and psychoanalytic theory. He shows how the theories of Freud, Rank, Jones, Lacan, Erikson, and others are themselves in a large part the product of reading Shakespeare. Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts.

Can postmodern accounts of the gaze--deriving from the psychoanalytic theories of Freud, Lacan, Fanon, and Riviere—tell us anything about those structures of vision prior to, and repressed by, modernity? Shakespeare's Visual Regime examines the tragedies, histories, and Roman plays for an emergent early modern spectatorial subject, thereby locating Shakespearean theater within those discourses most crucial to the contemporary exposition and disruption of regimes of vision: perspective painting, cartography, optics, geometry, Puritan anti-theatrical polemic, and the occult.