Bate, Jonathan; Jackson, Russell, 1949 . A history of Shakespeare's plays as they have been performed on the English stage, presented through a series of essays by a variety of authors, discussing the theatres, the plays, and the men and women who staged, adapted, and performed them over the course of 400 years, from the fifteenth century through modern times.
Bate, Jonathan and Jackson Russell (ed. Baugh, Albert C. and Thomas Cable. Upper Saddle River, . Shakespeare: An Illustrated Stage History. Oxford: Oxford University Press, 1996. Blayney, Peter W. M. The First Folio of Shakespeare.
Covering 400 years of dramatic history-from the vital, competitive theater of Shakespeare's own lifetime to the wealth of interpretations, both classical and experimental, of the present day-this volume is the only modern stage history of its kind
Shakespeare: an Illustrated Stage History. Pp. xix + 253 + illus.
Shakespeare: an Illustrated Stage History. 20 Hb. David Ian Rabey (a1). University of Aberystwyth.
Все результаты Поиска книг Google Об авторе (2001). Dennis Kennedy's books include The Spectator and the Spectacle: Audiences in Modernity and Postmodernity, The Oxford Encyclopedia of Theatre and Performance, Looking at Shakespeare: A Visual History of Twentieth-Century Performance, Foreign Shakespeare, and Granville Barker and the Dream of Theatre.
Such distinguishing habits constitute what is known as a person’s idiolect, and Shakespeare’s, as one would expect, is unlike any other person’s. It is not impossible that Oxford or Bacon might have employed such particular distinctions when writing under an assumed identity, but it is reasonable to wonder whether either would have felt such fastidious camouflage necessary.
Items related to Shakespeare: An Illustrated Stage History. ISBN 13: 9780198123729. The book is consistently illuminating. Shakespeare: An Illustrated, Stage History.
Four hundred years ago, Hamlet urged his players, "Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue." But in expressing the passions of the play, he advised, "Let discretion be your guide." Ever since, the tensions between faithfulness to the text on one hand, and expressive freedom on the other, have kept Shakespeare productions in a state of constant flux. From the radical alterations and "improvements" of the late seventeenth century, to the startling dislocations in setting, dress, and political context of the twentieth, from the extravagant sets of the Victorians to the stark minimalism of London's 1970s fringe theatre, Shakespeare's plays have lent themselves to an astonishing variety of incarnations. Written by a team of distinguished scholars, under the editorship of Jonathan Bate and Russell Jackson, Shakespeare: An Illustrated Stage History offers an elegantly designed and compellingly readable account of four centuries of Shakepearean productions. The book is consistently illuminating. Of the theatre of Shakespeare's own day, for instance, we learn not only what the plays would have looked like but also how changing conditions affected their composition--how, in 1604, the Act to Restrain Abuses of Players, which forbid the utterance of Christian oaths on stage, drove Shakespeare to set his plays in antiquity for the next five years. Likewise, when the King's Men moved indoors from the Globe to the Blackfriars theatre for the winter season, Shakespeare was forced to compose his plays in five distinct acts, separated by musical intervals, because the candles lighting the stage would burn down and need to be replaced. We also learn of the vehement Puritan antipathy to the theatre, an antipathy so great that at the outset of the civil war, in 1642, Parliament passed the Stephens Act, outlawing all stage performances--to avoid the "high provocation of God's wrath"--and formally declaring players to be "rogues," subject to public whippings and even the death penalty. Though the theatre has never since been considered quite so dangerous, the contributors clearly show how politically powerful Shakespeare performances have remained, and how variable, with both the establishment and the opposition enlisting the Bard in their causes. The book is equally engaging on the great actors, from eighteenth-century giant David Garrick to modern figures such as Ralph Fiennes, John Gielgud, Lawrence Olivier, Ralph Richardson, Peggy Ashcroft, and Peter Brook (the book includes a fascinating piece by actress Judi Dench that provides a performer's view of Shakespeare). What emerges most significantly from the book is a vivid sense of the enormous malleability of Shakespeare's work, responsive not only to changing political, economic, and social conditions, but also to the widest range of imaginative impulses in staging, direction, and interpretation. An invaluable and delightful book for anyone interested in Shakespeare or the stage, this superb volume gives readers a much clearer knowledge of the forces that have shaped Shakespeare productions. Indeed, they will feel as if they've been given backstage passes to the best performances of the past four centuries.
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