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by Alan H. Sommerstein,Aristophanes
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Dramas & Plays
  • Author:
    Alan H. Sommerstein,Aristophanes
  • ISBN:
    0140442871
  • ISBN13:
    978-0140442878
  • Genre:
  • Publisher:
    Penguin Classics; Reprint edition (March 30, 1974)
  • Subcategory:
    Dramas & Plays
  • Language:
  • FB2 format
    1845 kb
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    1635 kb
  • DJVU format
    1898 kb
  • Rating:
    4.6
  • Votes:
    843
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The combination of The Acharnians, The Clouds, and Lysistrata is terrific. It would make for a great course on Aristophanes.

The combination of The Acharnians, The Clouds, and Lysistrata is terrific. 2 people found this helpful.

This was a nice corrective after all the dire Greek Tragedies. Aristophanes is really a wonderful addition to the ancient literature.

The darker comedy of The Clouds satirizes Athenian philosophers - Socrates in particular - and reflects the uncertainties of a. .Aristophanes' Peace was performed at the City Dionysia in Athens in 421 .

The darker comedy of The Clouds satirizes Athenian philosophers - Socrates in particular - and reflects the uncertainties of a generation in which all tradition. by Aristophanes · Moses Hadas. as a decade-long war with Sparta seemed finally to be drawing to an end, and is one of only eleven extant plays by the greatest Old Comic poet. The Ecclesiazusae (or Women in Council).

By alan h. sommerstein. inlibrary; printdisabled; ; china. China-America Digital Academic Library (CADAL).

ARISTOPHANES, the most famous comic dramatist of ancient Greece, was born an Athenian citizen in about 445 .

Lysistrata/The Acharnians/The Clouds by Aristophanes, translated by Alan H. Sommerstein translated: 1973 format: 250 page Penguin Classics paperback (27th printing of a 1973 publication) acquired. ARISTOPHANES, the most famous comic dramatist of ancient Greece, was born an Athenian citizen in about 445 . Forty-four plays have been attributed to Aristophanes; eleven of these have survived.

Similar books and articles. The Acharnians of Aristophanes The Acharnians of Aristophanes. The Lysistrata Stuttard Looking at Lysistrata. Eight Essays and a New Version of Aristophanes' Provocative Comedy. Rev. ED. by Aristophanes. There's no description for this book yet.

The earliest comic drama to survive, Acharnians is a highly committed play, its message being that Athens war with the Peloponnesians can and should be ended, and that peace will mean the restoration of normal life after six years' separation of the country people from their land.

The Acharnians, the Clouds, Lysistrata. Price for Eshop: 377 Kč (€ 1. ). Collecting three comedies that show Aristophanes tackling the consequences of war and social upheaval in Athens with his characteristic wit, this title shows the political and social crisis in Athens, Aristophanes was an eloquent, yet bawdy challenger to the demagogue and the sophist.

Good, Aristophanes: Clouds, Acharnians, Lysistrata: A Companion to the Penguin . Translated by. Alan H. Literature, Poetry & Criticism.

Good, Aristophanes: Clouds, Acharnians, Lysistrata: A Companion to the Penguin T. £. 4. Lysistrata/The Acharnians/The Clouds by Aristophanes.

Cover worn, page edges tanned. Shipped from the U.K. All orders received before 3pm sent that weekday.

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Even in a college classroom, discussions about Lysistrata are met with giggles. Phallic jokes aside, Aristophanes mixes feminism and fast-paced banter to create an intelligently funny play. It's a great read for folks who know a little bit about ancient Greek history, and for those who don't, the text provides useful background knowledge. The editor chose to use end notes instead of footnotes, so expect some page-flipping.
Golden Lama
Love – or at least lust – wins out over war in Aristophanes’ “Lysistrata”; everybody knows that. But what stands out about this Penguin Books edition of “Lysistrata” is the way in which “Lysistrata” is brought together with two other, perhaps lesser-known plays from Aristophanes’ canon, all of which are united by the way in which the great Athenian comic dramatist uses comedy to confront the society of his time. Two of these plays -- “Lysistrata” itself and “The Acharnians” -- provide trenchant commentary on the Peloponnesian War in which Athens was then engaged against Sparta; the third, “The Clouds”, is equally successful as a comedy of ideas.

The title of “The Acharnians” (425 B.C.) made me ask, “Who were the Acharnians?” A quick bit of research showed me that Acharnae was a *deme* or district of Athens whose citizens were renowned for military valor; for a U.S. analogy, imagine an American playwright calling a play “The Texans” and thus capitalizing on Texans’ reputation for particular fighting spirit within U.S. culture. The Acharnians of “The Acharnians” are the play’s chorus – a group of old war veterans, the kind of guys who like to sit around and recount their courage of old, while expecting the younger generation to emulate their example. And these old Acharnians are anything but happy with the play’s protagonist, Dikaiopolis. You see, Dikaiopolis (whose name, to me, sounds more fitting for a city than for a person) sees the absurdity of the Peloponnesian War (“The Acharnians” was first performed in the war’s sixth year), and wishes to make what amounts to a separate peace. Working with the guidance of the immortal Amphitheus (whose presence in the play seems to indicate that the Olympian gods would smile upon an Athenian decision to turn away from war), Dikaiopolis successfully breaks with the militaristic policies of post-Periclean Athens, and enjoys the fruits of peace thereby. Aristophanes’ approval of Dikaiopolis’ brave and lonely stand is clear by play’s end, when the militaristic general Lamachus, the play’s chief antagonist, is reduced to begging Dikaiopolis to sell him three thrushes and an eel. Dikaiopolis scornfully replies, “Him? I wouldn’t sell him anything if he gave me his shield! Let him shake his crests at the salt-fish vendors!” (p. 51); and the play’s chorus heartily approves, addressing the Athenian audience directly: “Citizens, see the reward of his wisdom,/How peace wins him many a fine business deal” (p. 51). Clearly, Aristophanes was wishing that the citizens and the government of Athens would see the wisdom of Dikaiopolis’ stepping away from war.

“The Clouds” (423 B.C.) is probably most interesting to modern readers because of its depiction of Socrates. In the Platonic dialogues, Socrates is a gentle, diffident figure, bringing his interlocutors to the truth through patient questioning. The Socrates of “The Clouds”, by contrast, lacks both the humility and the heroism of Plato’s Socrates. In contrast with “Acharnians" protagonist Dikaiopolis, whose anti-war convictions mean that his heart is in the right place, the protagonist of “The Clouds,” the elderly farmer Strepsiades, is a thoroughgoing scoundrel. Debt-ridden because of the extravagant ways of his son Pheidippides, Strepsiades wants to learn the art of rhetoric because he believes that doing so will help him argue his way out of debt; and Socrates assures Strepsiades that “You’ll become a really smooth, smarmy talker – the finest flower in the oratorical garden” (84). The Socrates of “The Clouds” is marked in large part by his impiety toward the Olympian gods – when Zeus, the king of the gods, is invoked, Socrates scornfully replies, “Zeus? Who’s Zeus? What rubbish you talk! There *is* no Zeus!” (p. 88) – and perhaps it is no wonder that in one of Plato’s dialogues, Socrates wonders aloud if Aristophanes’ portrayal of him in “The Clouds” may have led to the Athenian state’s decision to execute him 24 years later. As for the resolution of “The Clouds”, suffice it to say that neither Strepsiades nor Pheidippides benefits from this unethical attempt to use rhetoric as a way to avoid paying one’s bills.

“Lysistrata” (411 B.C.) is certainly the best-known of these plays; “oh, yeah, that Greek play where the women all go on a sex strike.” The very scenario seems replete with comic possibilities; and yet, as with so many of the greatest comedies, “Lysistrata” has a deadly serious subtext. By the time “Lysistrata” was first staged, the Peloponnesian Wars had been going on for nineteen years. Small wonder, then, that the satirical edge of “Lysistrata” seems harsher than that of “The Acharnians,” as the play’s protagonist and title character calls upon all the women of Athens to withhold sex from their husbands until the husbands see fit to make peace. “We’re at home, beautifully made up, and we walk around the house wearing sheer lawn shifts and nothing else…and we keep our distance and refuse to come to them – then they’ll make peace soon enough, you’ll see” (p. 146). As translator and commentator Allan Sommerstein of the University of Nottingham points out, Athenian men in real life would have had other outlets for the release of their sexual energies; but within the fictive world set up by Aristophanes, Lysistrata’s brave scheme works. Seemingly against all odds, the Athenian and Spartan men do make peace, and Lysistrata gets the last word: “And let us for the future all endeavor/Not to repeat our errors, never ever!” (p. 191). Make love, not war. Give peace a chance. With 54 wars currently under way around the world, one wishes that Lysistrata’s vision might somehow come true.

In accordance with the tradition of excellence established by the Penguin Classics series, Sommerstein’s introduction and footnotes do a great deal of good in setting these plays within the context of their times. For any student of classical culture, or of comedy generally, this collection of Aristophanes’ works is essential. Whether you want the high comedy of ideas or the low comedy of sex talk and bodily functions, Aristophanes is the comedian for you.
Vrion
I found this collection to be on par with the other two volumes in the Penguin Classics library: filled with excellent and genuinely funny translations. This book, like the 'Frogs, et al.' features extensive end notes (which are very well done, but still sadly not footnotes). The 'Frogs, et al.' book has a better introduction, but this one is sufficient.
Tane
The combination of The Acharnians, The Clouds, and Lysistrata is terrific. It would make for a great course on Aristophanes. Alan Sommerstein's translation, supplemented by his introduction and notes, makes Aristophanes not just accessible but fun, as comedy should be.
Pringles
This was a shockingly good play and translated modernly very well. I think that this should be shower in schools to older students though of course.
Vozuru
Keep it the pocket for reading on the train or plane or in the park. The smiles come back. A sip of good whisky helps.
Steelraven
Simply amazing.
I loved the collection of these plays. Read all of them in a two days - couldn't do anything besides reading! Lysistrata was a bit cheesy, sort of like Juliette by Marquis de Sade.