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by Keiko I. McDonald
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Dramas & Plays
  • Author:
    Keiko I. McDonald
  • ISBN:
    0824829395
  • ISBN13:
    978-0824829391
  • Genre:
  • Publisher:
    University of Hawaii Press (November 30, 2005)
  • Pages:
    304 pages
  • Subcategory:
    Dramas & Plays
  • Language:
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    1104 kb
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    1104 kb
  • Rating:
    4.4
  • Votes:
    713
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Reading a Japanese Film:. has been added to your Cart. Here is a much needed book, an expert’s explication of the Japaneseness of the Japanese film, and an adroit teaching on how to read and to savor the ensuing experience.

Reading a Japanese Film:.

Keiko McDonald’s book, Reading A Japanese Film: Cinema In Context (2006) is meant to be an updated text for use in Japanese film classes. In her introduction she says that sees this book as a companion to Donald Richie’s book, A Hundred Years of Japanese Film

Keiko McDonald’s book, Reading A Japanese Film: Cinema In Context (2006) is meant to be an updated text for use in Japanese film classes. In her introduction she says that sees this book as a companion to Donald Richie’s book, A Hundred Years of Japanese Film. It would serve as an useful companion, but it stands alone well by itself. McDonald has chosen 16 films from various directors, genres, and periods to analyze. Many I have seen before: Sisters of the Gion (1936) Kenji Mizoguchi, Kurosawa’s Keiko McDonald’s book, Reading A Japanese Film: Cinema In Context (2006) is meant to be an updated.

Reading a Japanese Film: Cinema in Context, 2006. McDonald, Keiko I. (2006). Reading a Japanese Film: Cinema in Context. Download as PDF. Printable version.

Reading a Japanese Film: Cinema in Context, 2006 References. a b c "Obituary: Keiko McDonald, Professor at Pitt who died doing what she loved: fishing". Pittsburgh Post-Gazette. Retrieved 2019-03-22. University of Hawaii Press. php?title Keiko McDonald&oldid 897386962". Categories: 1940 births.

Reading a Japanese Film does exactly that: it will provide anyone who qualifies their interest in Japanese cinema as even the slightest bit serious with the solid basis they need to delve further into the wealth of more specific writing on the subject, not to mention provide a fresh look o. .

Reading a Japanese Film does exactly that: it will provide anyone who qualifies their interest in Japanese cinema as even the slightest bit serious with the solid basis they need to delve further into the wealth of more specific writing on the subject, not to mention provide a fresh look on the films themselves. After reading McDonald's new book, it is virtually guaranteed that you will be giving even well-worn standards like Hiroshi Inagaki's Samurai trilogy, Kaneto Shindo's Onibaba or Takeshi Kitano's Kids Return another spin - and look at them with a fresh pair of eyes.

Reading a Japanese Film: Cinema in Context. By Keiko I. McDonald. Honolulu: University of Hawai'i Press, 2006. University of Victoria.

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Keiko I. McDonald is a Professor of Japanese Cinema and Literature at the University of Pittsburgh. In the field of Japanese film her works include Voices from the Japanese Cinema (Liveright, 1975), The Waves at Genji’s Door: Japan through its Cinema (Pantheon, 1976), Seven Samurai (British Film Institute, 2002), and In the Realm of the Senses (British Film Institute, 2004).

Initiation of Japanese film courses marks one of the most salient features in the recent development of Japanese Studies at major American academic institutions. Do you want to read the rest of this article? Request full-text. Volume 66 Issue 1 - Timothy Iles. Hibakusha Cinema: Hiroshima, Nagasaki and the Nuclear Image in Japanese Film Mick Broderick.

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Reading a Japanese Film, written by a pioneer of Japanese film studies in the United States, provides viewers new to Japanese cinema with the necessary tools to construct a deeper understanding of some of the most critically acclaimed and thoroughly entertaining films ever made. In her introduction, Keiko McDonald presents a historical overview and outlines a unified approach to film analysis. Sixteen "readings" of films currently available on DVD with English subtitles put theory into practice as she considers a wide range of work, from familiar classics by Ozu and Kurosawa to the films of a younger generation of directors.