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by Jeffrey Collins
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Catholicism
  • Author:
    Jeffrey Collins
  • ISBN:
    0521809436
  • ISBN13:
    978-0521809436
  • Genre:
  • Publisher:
    Cambridge University Press; First Edition edition (April 12, 2004)
  • Pages:
    378 pages
  • Subcategory:
    Catholicism
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New York: Cambridge University Press, 2004.

New York: Cambridge University Press, 2004.

This book explores how Pius VI, the last great papal patron of the arts in the Renaissance and Baroque tradition, used the arts as a means of. .Be the first to ask a question about Papacy and Politics in Eighteenth-Century Rome.

Pius' initiatives, included the grand sacristy for St. Peter's, the new Vatican Museum of ancient art, and the re-erection of Egyptian obelisks. Lists with This Book. This book is not yet featured on Listopia.

Pius VI was the last great papal patron of the arts in the Renaissance and Baroque tradition

Pius VI was the last great papal patron of the arts in the Renaissance and Baroque tradition. Pius' initiatives included the grand sacristy for St. Papacy and Politics in Eighteenth-Century Rome: Pius VI and the Arts. Cambridge University Press, 2004, Hardcover.

Papacy and Politics in Eighteenth-Century Rome : Pius VI and the Arts

Papacy and Politics in Eighteenth-Century Rome : Pius VI and the Arts.

Collins, Jeffrey Laird. Publication, Distribution, et. Cambridge, UK ; New York Note: Includes bibliographical references (p. 331-344) and index. Personal Name: Pius VI,, Pope, 1717-1799 Art patronage. Rubrics: Art, Italian Italy Rome 18th century Christianity and art Catholic Church Art Political aspects Rome History 18th century. Download now Papacy and politics in eighteenth-century Rome : Pius VI and the arts Jeffrey Collins. Download PDF book format. Download DOC book format.

The book is divided into six chapters, framed by an introduction and conclusion.

Papacy and Politics in Eighteenth-Century Rome: Pius VI and the Arts. New York: Cambridge University Press. Pius VI (r. 1775-1799), born Giovanni Angelo Braschi, was fated to be the last pope to practice papal patronage of the arts in the grand tradition of his Renaissance and Baroque predecessors. The book is divided into six chapters, framed by an introduction and conclusion. Cambridge: Cambridge University Press, 2004. Heather Hyde Minor (a1).

Italian Art and Architecture. Journal of the Society of Architectural Historians Vol. 64 No. 3, Se. 2005 (pp. 375-377) DOI: 1. 307/25068175. Find this author on Google Scholar. This is a PDF-only article. The first page of the PDF of this article appears above.

Find sources: "History of the papacy" – news · newspapers · books . Many of the bishops of Rome in the first three centuries of the Christian era are obscure figures.

Find sources: "History of the papacy" – news · newspapers · books · scholar · JSTOR (October 2017) (Learn how and when to remove this template message). This article is part of a series on. Vatican City. After the start of the Protestant Reformation, the Reformation Papacy and Baroque Papacy led the Catholic Church through the Counter-Reformation. Most of Peter's successors in the first three centuries following his life suffered martyrdom along with members of their flock in periods of persecution.

This book explores how Pius VI, the last great papal patron of the arts in the Renaissance and Baroque tradition, used the arts as a means of countering growing hostility to the old order and the supremacy of the papacy. Pius' initiatives, included the grand sacristy for St. Peter's, the new Vatican Museum of ancient art, and the re-erection of Egyptian obelisks. These projects, along with Pius' use of prints, paintings, and performances, created his public persona, and helped to anchor Rome's position as the cultural capital of Europe.