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by Anna Butterworth
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Music
  • Author:
    Anna Butterworth
  • ISBN:
    0193210517
  • ISBN13:
    978-0193210516
  • Genre:
  • Publisher:
    Oxford University Press (March 5, 1992)
  • Pages:
    216 pages
  • Subcategory:
    Music
  • Language:
  • FB2 format
    1728 kb
  • ePUB format
    1229 kb
  • DJVU format
    1409 kb
  • Rating:
    4.3
  • Votes:
    537
  • Formats:
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Series: Oxford Music Examination Workbooks. Paperback: 216 pages.

Series: Oxford Music Examination Workbooks. Publisher: Oxford University Press (March 5, 1992).

Items related to Stylistic Harmony (Oxford Music Examination Workbooks). Anna Butterworth Stylistic Harmony (Oxford Music Examination Workbooks). ISBN 13: 9780193210561. Stylistic Harmony (Oxford Music Examination Workbooks). Butterworth's new book is designed to provide a businesslike and efficient presentation of all the harmonic and musical styles which are needed for A-level and university entrance. illustrative material is copious and the exercises equally s. (Times Educational Supplement).

Oxford Music Examination Workbooks Oxford Music Text Books. Assembled Product Dimensions (L x W x H). 1. 1 x . 6 x . 9 Inches.

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Author: Anna Butterworth ISBN 10: 0193210568. Title: Stylistic Harmony Answer Book (Oxford Music Examination Workbooks) Item Condition: New. Publisher: OUP Oxford ISBN 13: 9780193210561. Used-like N : The book pretty much look like a new book.

Stylistic Harmony Workbook by Oxford University Press (Sheet music, 1994). Anna Butterworth's new book is designed to provide a businesslike and efficient presentation of all the harmonic and musical styles which are needed for A-level and university entrance.

As this book was intended to provide systematic exposure to the styles covered in examination syllabuses, it is presented as a chronological course of study, with, at every stage, examples and exercises sufficient for a two-year course. Teachers may none the less prefer to dip into certain sections in conjunction with their own harmony courses. Greatest weight has been given to those chapters dealing with the Baroque and Classical periods, since these are basic areas of harmonic technique and experience.

Harmony in Practice Answer Book, Paperback; Butterworth, Anna, Theory Workbooks by Butterworth, Anna Paperback.

Harmony in Practice Answer Book, Paperback; Butterworth, Anna, Theory Workbooks. Harmony in Practice: Answer Book Anna Butterworth Theory Present MUSIC BOOK. From United Kingdom by Butterworth, Anna Paperback. List price Previous priceEUR 2. 7. Stylistic Harmony Answer Book Secondary Other Book Butterworth, Anna.

Stylistic Harmony Work Book by Anna Butterworth Free Shipping! . Harmony in Practice; Theory Workbooks, Paperback; Butterworth, Anna.

Stylistic Harmony Work Book by Anna Butterworth Free Shipping! S$ 9. 5. Stylistic Harmony Work Book by Anna Butterworth Free Shipping! S$ 8. S$ . 7 postage by Butterworth, Anna Paperback.

Stylistic Harmony Work Book. Forces or Category: Harmony for A-level onwards

Stylistic Harmony Work Book. Forces or Category: Harmony for A-level onwards. Anna Butterworth's new book is designed to provide a businesslike and efficient presentation of all the harmonic and musical styles which are. Stylistic Harmony Work Book.

This book outlines the main features of musical style between 1550 and 1850. The product of many years of teaching experience has been gathered into book form in response to the relatively recent demand of most bodies examining in music for GCE "A" level, for entrance to University or (Music) College, or for Diplomas, that the student be able to demonstrate a knowledge and understanding of a variety of harmonic styles. It is therefore suitable for use with sixth-formers, students at Colleges of Further Education (for whom it was originally written), and others preparing for such examinations. As this book was intended to provide systematic exposure to the styles covered in examination syllabuses, it is presented as a chronological course of study, with, at every stage, examples and exercises sufficient for a two-year course. Teachers may none the less prefer to dip into certain sections in conjunction with their own harmony courses. Greatest weight has been given to those chapters dealing with the Baroque and Classical periods, since these are basic areas of harmonic technique and experience.