Motets for One Voice book.
Motets for One Voice book. Start by marking Motets for One Voice: The Organ-Accompanied Solo Motet in Nineteenth-Century France as Want to Read: Want to Read savin. ant to Read. Motets for One Voice:. by Richard Benefield. 0895795272 (ISBN13: 9780895795274).
Saint-Saëns, Camille, 1835-1921. Franck, César, 1822-1890. Motets - France - 19th century. Sacred songs with organ - 19th century.
In: Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 60, No. 2, pp. 204-205. View it in the Music Periodicals Database.
by Richard Benefield.
Author: Richard Benefield.
This series covers a period during which music publishing became . Motets for One Voice by Franck, Gounod, and Saint-Saëns.
This series covers a period during which music publishing became widespread. N9. The Nineteenth-Century Piano Ballade: An Anthology.
The organ-accompanied solo motet. In nineteenth-century france.
dussek, jan ladislav. Selected piano works. The organ-accompanied solo motet. 7 topical song cycles of the. Early nineteenth century.
If the previous age had made translation a professional activity, the nineteenth century raised this activity to the level of high ar. At the end of the eighteenth and the beginning of the nineteenth century Karamzin published many translations in several periodicals. He regarded translation as an effective tool for improving a writer's style as well as an invaluable source of information, undertaken for the sake of curiosity, for establishing historical facts, for entertaining women, to provide material for new magazines, or to acquaint readers with books that have not yet become well known.
opera – César Franck (1822–1890) - symphony, organ music, chamber music .
opera – César Franck (1822–1890) - symphony, organ music, chamber music, Italian opera – Verdi After Wagner - post–Romantic composers and genres, Hugo Wolf (1860–1903) - song specialist, Gustav Mahler (1860–1911) - song, symphony, vocalorchestral cycle, Richard Strauss (1864–1949) - tone poem, opera, song Post–romantic opera - realism and verismo, Characteristics – – – . How did the rise of national styles in the late nineteenth century resemble or differ from the rise of nationally distinct styles in the sixteenth and eighteenth centuries?, Would it be appropriate to refer to some developments in music of the late nineteenth century as mannerist?