- Author:Michael Haralambos
- Publisher:Eddison Press (1974)
- Pages:187 pages
- FB2 format1755 kb
- ePUB format1880 kb
- DJVU format1208 kb
- Formats:lrf mobi rtf doc
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Michael Haralambos, Right On: From Blues to Soul in Black America. When the terms black music or Afro-American music are used and implicitly or explicitly opposed to white or European music, a few typically black or African musical traits will occasionally get mentioned. London: Edison Blues Books (1974). There must be thousands examples of this World USA fetish. Sky Channels relaying of The World Wrestling Championships provides another astoundingly megalomaniac illustration. The most popular musical characteristics to cite are: (1) blue notes, (2) call and response techniques, (3) syncopation and (4) improvisation.
This pioneering study documents the birth of soul music in America during the 1950s and '60s when, in response to the black community's new self-awareness and pride, musicians such as James Brown, The Impressions, Wilson Pickett, King Curtis, Stevie Wonder, and others were discovering in the urban blues, gospel, and randb a new sound-soul
The influence of both blues and soul on contemporary popular music is difficult to underestimate
The influence of both blues and soul on contemporary popular music is difficult to underestimate. Both have been incorporated into the mainstream of American culture to the point where no nostalgia trip is complete without them as part of the soundtrack. Right On is an attempt to analyse what conditions gave birth to and sustained blues as a music form. It seeks to explain why blues stagnated and was replaced by soul as the dominant popular music form in black America.
Reprint of the ed. published by Eddison Press, London, in series: Eddison blues books.