- Author:Rosalind E. Krauss
- Publisher:The MIT Press; 1st edition (January 22, 1999)
- Pages:228 pages
- Subcategory:History & Criticism
- FB2 format1748 kb
- ePUB format1521 kb
- DJVU format1236 kb
- Formats:mbr lit mobi txt
Rosalind Epstein Krauss (born November 30, 1941) is an American art critic, art theorist and a. .Selected books by Krauss.
Rosalind Epstein Krauss (born November 30, 1941) is an American art critic, art theorist and a professor at Columbia University in New York City. Krauss is known for her scholarship in 20th-century painting, sculpture and photography. Selected essays and articles by Krauss. October was formed as a politically-charged journal that introduced American readers to the ideas of French post-structuralism, made popular by Michel Foucault and Roland Barthes
Rosalind Krauss' theories have some merits, and if you are looking at a book that will drive you up the wall the entire time shouting at it- read this.
by. Rosalind E. Krauss (Author). Find all the books, read about the author, and more. Are you an author? Learn about Author Central. Rosalind Krauss' theories have some merits, and if you are looking at a book that will drive you up the wall the entire time shouting at it- read this. I would never allow my grad students to read this dribble.
Series: October Books. Through a carefully structured narrative agenda, Rosalind Krauss is able to foreshadow, a compromised and descriptive text, about the contemporary use of the word "understand", specially if applied to the modernist arts and its criticism.
by Rosalind E. Krauss. Publisher's Description. In nine cogently written essays, Krauss explores the distinctly feminist strategies employed in the works of Francesca Woodman, Claude Cahun, Cindy Sherman, Louise Lawler, and five other twentieth century photographers and artists.
Поиск книг BookFi BookSee - Download books for free. Bachelors (October Books). 1 Mb. Rosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism.
Rosalind Epstein Krauss (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City. Terminal Iron Works: The Sculpture of David Smith, MIT Press, 1971, 214 pp. Revised from her PhD dissertation, The Sculpture of David Smith (1969). Passages in Modern Sculpture, MIT Press, 1977, ix+308 pp; New York: Viking, 1977, PDF. Passages: une histoire de la sculpture de Rodin à Smithson, trans. Claire Brunet, Paris: Macula, 1997, 313 pp. (French).