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by Richard Vinograd
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History & Criticism
  • Author:
    Richard Vinograd
  • ISBN:
    0521385482
  • ISBN13:
    978-0521385480
  • Genre:
  • Publisher:
    Cambridge University Press; First Edition edition (August 28, 1992)
  • Pages:
    207 pages
  • Subcategory:
    History & Criticism
  • Language:
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    1612 kb
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    4.6
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Boundaries of the Self explores developments in the functions and significance of informal portraiture in later Ming and Qing dynasty China, from about AD.

Boundaries Of The Self: Chinese Portraits,. Boundaries of the Self explores developments in the functions and significance of informal portraiture in later Ming and Qing dynasty China, from about AD. The study focuses on images of artists, including self-portraits, and their associates from centres of painting in Southeastern China, that lay outside regulated systems of formal ancestral, or religious Boundaries of the Self explores developments in the functions and significance of informal portraiture in later Ming and Qing dynasty China, from about AD.

Boundaries of the Self explores developments in the functions and significance of informal portraiture in later Ming and Qing dynasty China, from about AD 1600-1900

Boundaries of the Self explores developments in the functions and significance of informal portraiture in later Ming and Qing dynasty China, from about AD 1600-1900. The study focuses on images of artists, including self-portraits, and their associates from centres of painting in Southeastern China, that lay outside regulated systems of formal ancestral, or religious portraiture.

Boundaries of the Self: Chinese Portraits, 1600–1900. Cambridge: Cambridge University Press, 1992. Published online by Cambridge University Press: 26 March 2010.

Boundaries of the Self - Free download as PDF File . df), Text File . xt) or read online for free.

Richard Vinograd, Stanford University, Art & Art History Department, Faculty Member. Boundaries of the Self: Chinese Portraits, 1600-1900 more. Publication Date: 1995. Studies Chinese painting and History. Publication Name: Journal of Asian Studies.

Items related to Boundaries of the Self: Chinese Portraits, 1600-1900. Boundaries of the Self explores developments in the functions and significance of informal portraiture in later Ming and Qing dynasty China, from about AD 1600-1900. Richard Vinograd Boundaries of the Self: Chinese Portraits, 1600-1900. ISBN 13: 9780521385480. Boundaries of the Self: Chinese Portraits, 1600-1900.

Boundaries of the Self: Chinese Portraits, 1600-1900. Boundaries of the Self explores developments in the functions and significance of informal portraiture in later Ming and Qing dynasty China, from about AD 1600-1900

Systems of artistic genres, evaluative rankings of artists, and identifications of canonical monuments are all versions of classification and categorization.

Chambersburg, PA: Anima Books. Vinograd, Richard, Boundaries of the Self, Chinese Portraits 1600–1900. New York: Cambridge University Press. Reed, William, Sho-do, The Art of Coordinating Mind, Body and Brush. Wong, Kwan . Masterpieces of Sung and Yuan Dynasty Calligraphy from the John M. Crawford Jr. Collection. New York; China Institute in America.

Boundaries of the Self explores developments in the functions and significance of informal portraiture in later Ming and Qing dynasty China, from about AD 1600-1900.

Cambridge ; New York, NY, USA : Cambridge University Press, 1992.

Boundaries of the Self: Chinese Portraits, 1600-1900 17: Landscape Painting In China Thorp and Vinograd, Constructing Landscapes, in Chinese Art and Culture (Abrams.

Introduction: Effigy, Emblem, and Event in Chinese Portraiture. New York: Cambridge University Press, 1992). 17: Landscape Painting In China Thorp and Vinograd, Constructing Landscapes, in Chinese Art and Culture (Abrams, 2001), 242-251. Barnhart, Sections from Five Dynasties and Song Art, in Yang Xin et a. Three Thousand Years of Chinese Painting (Yale University Press, 1997). Read only pp. 92-102 and 126-133.

Boundaries of the Self explores developments in the functions and significance of informal portraiture in later Ming and Qing dynasty China, from about AD 1600-1900. The study focuses on images of artists, including self-portraits, and their associates from centres of painting in Southeastern China, that lay outside regulated systems of formal ancestral, or religious portraiture. Detailed analyses of innovative portraits and their closely related inscriptional texts reveal complex strategies of construction of identity and cultural role, in an era marked by deep political and social transformations that made the status of the artist and literary person problematic. The relationships of Chinese portrait paintings to a variety of texts - inscriptions, theoretical writings and treatises, and narratives of portrayal - as well as to the broader cultural fictions of role and type are another prominent concern of this study.